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NOTE: You are purchasing a standalone product; MyPoliSciLab does not come packaged with this content. If you would like to purchase both the physical text and MyPoliSciLab, search for ISBN-10: 0134114027 / ISBN-13: 9780134114026. That package includes ISBN-10: 0133913309 / ISBN-13: 9780133913309 and ISBN-10: 0133930645 / ISBN-13: 9780133930641.

MyPoliSciLab should only be purchased when required by an instructor.

For courses in American Government

Understand American politics from past to present
American Government: Roots and Reform helps students view the issues facing the Unites States today through an historical lens. By presenting coverage of the origins of American government in tandem with material on contemporary political structures and behaviors, the authors help students see how what happened in the past can be used to understand what measures should be taken in the future. In order to boost student engagement with key concepts, the 2014 Elections and Updates Edition incorporates coverage of contemporary issues that dominate today’s headlines, as well as the most up-to-date data.

Also available with MyPoliSciLab®
MyPoliSciLab for the American Government course extends learning online, engaging students and improving results. Media resources with assignments bring concepts to life, and offer students opportunities to practice applying what they’ve learned. And the Writing Space helps educators develop and assess concept mastery and critical thinking through writing, quickly and easily. Please note: this version of MyPoliSciLab does not include an eText.

American Government: Roots and Reform, 2014 Elections and Updates Edition is also available via REVEL™, an immersive learning experience designed for the way today's students read, think, and learn.

• Sales Rank: #11529 in Books
• Published on: 2015-05-30
• Original language: English
• Number of items: 1
• Dimensions: 10.80" h x 1.00" w x 8.40" l, 2.78 pounds
• Binding: Paperback
• 672 pages

About the Author
Karen O’Connor is the Jonathan N. Helfat Distinguished Professor of Political Science and the Founder and Director Emerita of the Women & Politics Institute at American University. Before coming to American University, Karen taught political science for seventeen years at Emory University in Atlanta, Georgia, where she was the first woman to receive the university’s highest teaching award. She has been recognized by several associations as the most outstanding woman in political science and public administration as well as by the Southern Political Science Association (SPSA) for her contributions to the discipline. She has served on the American Political Science Association (APSA) and SPSA councils and as chair of the Law and Courts and Women and Politics Research sections of the APSA.

Larry J. Sabato is the founder and director of the University of Virginia Center for Politics. A Rhodes Scholar, Sabato has taught more than tens of thousands of students in his career at Oxford University, Cambridge University, and the University of Virginia. At the University of Virginia, Sabato has received every major teaching award, including the university’s highest honor, the Thomas Jefferson Award. In 2013 Prof. Sabato won an Emmy award for the documentary Out of Order, which he produced to highlight the dysfunctional U.S. Senate, and in 2014, Professor Sabato received a second Emmy award for the PBS documentary based on his New York Times bestseller The Kennedy Half-Century. Sabato directs the Crystal Ball website, which has an unparalleled record of accuracy in predicting U.S. elections. For more information, visit http://www.centerforpolitics.org.

Alixandra B. Yanus is Assistant Professor of Political Science at High Point University, where she teaches courses in American government and gender and politics. She is also co-director of the Women and Gender Equality (W.A.G.E.) Leadership Project. She holds a B.A. in Political Science from American University and a M.A. and Ph.D. in Political Science from the University of North Carolina at Chapel Hill. Her scholarly research has been accepted for publication in peer-reviewed venues including Social Science Quarterly, Politics & Gender, and Women, Politics, & Public Policy, and in book chapters published by Oxford University Press, CQ Press, and Sage.

Most helpful customer reviews

2 of 2 people found the following review helpful.
my professor immediately let everyone know that the class would be everything but easy. He claimed that we should not take it ..
By Maria Alexandra
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Otherwise it's great!!
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Print is very very close to the top off the page. Some pages are faded. Otherwise it's great!! :)

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... style that allows the student to read the text easily. this way the student is able to understand ...
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• Sales Rank: #2330122 in Books
• Published on: 2014-09-03
• Released on: 2014-09-03
• Original language: English
• Number of items: 1
• Dimensions: 5.90" h x .70" w x 9.10" l, .0 pounds
• Binding: Paperback
• 320 pages

Review
The book is very well written and engaging. It explores complex ideas in a way that makes them accessible to most practitioners and opens up new possibilities and theories, making it essential reading for anyone working with trauma. Therapy Today

About the Author

John Marzillier, Clinical Psychologist,

John Marzillier is a clinical psychologist and writer living in Oxford. He has a MA in Psychology & Philosophy for the University of Oxford, a MSc (Clinical Psychology) and a PhD (Psychology) from the University of London, and an MA in Creative Writing from Bath Spa University College. He had a long career as an academic clinical psychologist and as a psychotherapist, having been trained in behavioural, cognitive and psychodynamic therapies. He has written extensively about psychology and psychotherapy. In 2010 he published The Gossamer Thread. My Life as a Psychotherapist, which was short-listed for the Mind Book of the Year. In 2012 he published To Hell and Back. Personal Experiences of Trauma and How We Recover and Move On, based on his interviews with trauma sufferers. John has worked extensively in the trauma field as a therapist, as an expert in medico-legal work, and for the Thames Valley Police as their staff psychologist.

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• Sales Rank: #2658356 in Books
• Published on: 2013
• Binding: Hardcover
• 48 pages

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• Sales Rank: #1588673 in Books
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Written by IB teachers and examiners to comprehensively cover the 2009 syllabus, this stretching approach drives strategic thinking. With an international focus spurring debate on entrepreneurial issues, it seamlessly integrates the learner profile and best captures the IB philosophy. Assessment support is integrated for the strongest results.

· Written by five experienced IB teachers
· The most comprehensive coverage of the 2009 syllabus
· Designed to drive analytical and strategic thinking in a business context
· Global case studies keep learning fresh and develop outward-looking learners
· Strong focus on the learner profile, TOK and internationalism, so learning completely embraces the IB philosophy
· Exam practice including past exam question fully prepares learners for assessment

About the Series:
Oxford's IB Diploma Course Books are essential resource materials designed in cooperation with the IB to provide students with extra support through their IB studies. Course Books provide advice and guidance on specific course assessment requirements, mirroring the IB philosophy and providing opportunities for critical thinking.

• Sales Rank: #1618138 in Books
• Brand: Brand: Oxford University Press, USA
• Published on: 2012-10-25
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .80" w x 10.80" l, .0 pounds
• Binding: Paperback
• 416 pages

Features

• Used Book in Good Condition

Review
"The Oxford course books are the best ever resource for both teachers and students. They are practical, insightful and fully in line with the IB Course outcomes." --Pat Hanson, IB Coordinator, Academy of the Holy Cross, USA

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"We have adapted most of the Oxford IB course books for our school. We find them well written, well linked to TOK issues and age appropriate." --Sheta Saha, IB Coordinator, Chatsworth International School, Singapore

About the Author
Paul Clark, Peter Golden, Mark O'Dea, Phil Woolrich, John Weiner, and Jorge Olmos are all well-respected OUP authors.

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0 of 0 people found the following review helpful.
Three Stars
By Connie
This is the book assigned at our local high school, so it's just okay.

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[P432.Ebook] Download PDF Spirited Away (BFI Film Classics), by Andrew Osmond

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Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan’s most successful film, and one of the top-grossing ‘foreign language’ films ever released.  Set in modern Japan, the film is a wildly imaginative fantasy, at once personal and universal.  It tells the story of a listless little girl who stumbles into a magical world where gods relax in a palatial bathhouse; where there are giant babies and hard-working soot sprites, and where a train runs across the sea. 

Andrew Osmond’s insightful study describes how Miyazaki wrote, storyboarded and directed Spirited Away with a degree of creative control undreamt of in most popular cinema, using the film’s delightful, freewheeling visual ideas to explore issues ranging from personal agency and responsibility to what Miyazaki sees as the lamentable state of modern Japan.  Osmond unpacks the film’s visual language, which many Western (and some Japanese) audiences find both beautiful and sometimes bewildering.  He traces connections between Spirited Away and Miyazaki’s prior body of work, and provides an account of the film’s production and the creative differences between Miyazaki and his collaborators, arguing that Spirited Away uses the cartoon medium to create a compellingly immersive drawn world.

• Sales Rank: #581990 in Books
• Brand: Brand: British Film Institute
• Published on: 2008-07-15
• Released on: 2008-08-19
• Original language: English
• Number of items: 1
• Dimensions: 6.25" h x .48" w x 5.39" l, .50 pounds
• Binding: Paperback
• 121 pages

Features

• Used Book in Good Condition

Review

'...thorough and well written, covering a number of bases. For any student of animation, fan of the movie, or just someone with an interest in anime generally, this is an insightful study and valuable tool to understanding one of the key anime films in recent years.' - Neo Magazine

'Andrew Osmond does a fine job, not only expertly breaking down Spirited Away's myriad signs and wonders, but acting as a cultural translator to boot.' - Empire"

From the Back Cover
Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is
Japan's most successful film, and one of the top-grossing 'foreign language'
films ever released. Set in modern Japan, the film is a wildly imaginative
fantasy, at once personal and universal. It tells the story of a listless little girl
who stumbles into a magical world where gods relax in a palatial bathhouse,
where there are giant babies and hard-working soot sprites, and where a train
runs across the sea.
Andrew Osmond's insightful study describes how Miyazaki directed Spirited
Away with a degree of creative control undreamt of in most popular cinema,
using the film's delightful, freewheeling visual ideas to explore issues ranging
from personal agency and responsibility to what Miyazaki sees as the
lamentable state of modern Japan. Osmond unpacks the film's visual language,
which many Western (and some Japanese) audiences find both beautiful and
bewildering. He traces connections between Spirited Away and Miyazaki's prior
body of work, arguing that Spirited Away uses the cartoon medium to create a
compellingly immersive drawn world.

About the Author

Andrew Osmond is freelance film journalist. He writes for a range of publications including Sight and Sound, Empire and SFX. He lives in Berkshire, UK.

Most helpful customer reviews

5 of 5 people found the following review helpful.
This book has little to offer
By Alexandria
The book is essentially in two parts: the first half on production and the second half on the final film. Neither part goes into enough depth to be particularly insightful. Admittedly, I went through the first section quickly since I am more interested in the film itself.

The first half goes over the production, technical aspects, and the people behind the creation of the film. The content is only surface information, written to be easily understood and probably not very useful to anyone deeply interested in production. I think the DVD of Spirited Away has extra features which cover much of the same information. This section also covers some general information on Studio Ghibli which can be found in dozens of other books on Miyazaki or anime. The information on the company is not used to directly offer understanding to Spirited Away, so it feels like it's just taking up space.

Of interest to me in the first section is how Osmond easily dismisses the film as being a disjointed narrative due to creative differences between Miyazaki and one of his staff. This was annoying to me since I got this book because I think the film's narrative is interesting and brings the film together fairly well. And yet Osmond does not further explore these criticisms or offer an alternative view for his argument on the narrative structure. It gives me the impression that Osmond doesn't really understand this film enough to offer a deeper perspective, so he dismisses it instead.

The second half of the book is about the film itself, and was why I purchased the book. The trouble with this section is that it is a chronological summary of the film with lightly dabbled commentary. The commentary is not especially insightful or always present; the film ending, for instance, is summarized without commentary or further exploration.

The overall effect of this is, for instance, that No Face is brought up once for every appearance he makes, but is never really discussed. If Osmond had gathered up all his separate summary/commentary on No Face and put it together in one section, he could have more effectively used that space to explore the creature and what it's doing in the film. Instead, there's no analysis, no useful exploration, and no depth to the content of the book. The same goes for all major themes, motifs, the other characters, and plot elements; Osmond states when they show up, and might make a comment on it, (some of which are even interesting,) but none of it is discussed.

I bought this book thinking that it was meant to offer deeper insight into the film. This book doesn't do that. I'm not sure what this book is intended for, or who is meant to read it. Since I've seen the film, I don't need to be told what happened in the film, so this book isn't for me. If you've seen the film, you don't need this book.

If you're somehow unable to watch Spirited Away and want to experience the film vicariously through a summary, then you might be interested in this. Otherwise, you can probably gain more insight yourself by just watching the film again, or watch the film with the commentary on, or check out the DVD extras.

2 of 4 people found the following review helpful.
Finally! An excellently written analysis of an animated film!
By Mark L. Ayala
This book is a marvel, especially for the Miyazaki ignorant (who know little of the man outside of his work.) He discusses the man's life, the Japanese mythology and the story that appeals to all cultures.

Not only does the written speak wonderfully of the animation itself, but defends it's story, and places the film in a realm few films touch, one for kids and adults without irony.

Mr. Osmond brings up everything from tracing Miyazaki's Marxist roots to the films he's making now, and even discusses a bit on anime fanboys discussing the animation autuer on internet forums.

Well worth the read and has honestly made me loved the film even more.

0 of 11 people found the following review helpful.
Just Watch the Movie
By Glenn Gallagher
The three-star review is more of a reflection on the entire genre of books about films, and not as much about the actual book in question. Although I found that the insightful analysis of the wonderful film "Spirited Away" was generally good, the entire time I was reading it I was thinking "Why not just watch the movie again?"

I don't think an entire book is necessary to analyze a film - perhaps just 5 to 10 pages at the most. The book itself didn't have much artwork, and I thought the film was a little too over-analyzed. For some reason, the author keeps hinting that certain scenes have a sensual element to them, which I didn't see at all. I like reading about movies, but find that a well-reasoned review tends to be enough written about a film. Film is a visual and emotional art form, and does not have to be analyzed too deeply to be enjoyed.

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• Published on: 1600
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