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To Write Like a Woman: Essays in Feminism and Science Fiction, by Joanna Russ
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"To Write Like a Woman is a rare example of a feminist tackling science fictuion using postmodern theory, which makes for a much more sophisticated and nuanced appraisal than the usual fare." ―Passion
"Russ’ essays are witty and insightful. An excellent book for any writer or reader." ―Feminist Bookstore News
"In her new book of essays... Russ continues to debunk and demand, edify and entertain.... Appreciative of surface aesthetics, she continually delves deeper than most critics, yet in terms so simple and accessible that her essays read like lively, angry, humorous dialogues conducted face-to-face with the author. Russ is the antithesis of the distant critic in her ivory tower." ―Paul Di Filippo, The Washington Post Book World
"... 20 years of the author’s feisty reports from the front lines of literature." ―The San Francisco Review of Books
"This is a book of imaginative and provoking essays, but you should read it for the sheer fun of it." ―The Women’s Review of Books
"Collects more than two decades of criticism by Joanna Russ, one of the most perceptive, forthright and eloquent feminist commentators around." ―Feminist Bookstore News
"... a super book....This is a book that, for once, really will appeal to readers of all kinds." ―Utopian Studies
"If you enjoy science fiction, this is definitely a book that you’ll want to talk about. I found myself sneaking a few pages at times when I really didn’t have time to read." ―Jan Catano, Atlantis
Classic essays on science fiction and feminism by Nebula and Hugo award-winning Joanna Russ. Here she ranges from a consideration of the aesthetic of science fiction to a reading of the lesbian identity of Willa Cather. To Write Like a Woman includes essays on horror stories and the supernatural, feminist utopias, popular literature for women (the "modern gothic"), and the feminist education of graduate students in English.
- Sales Rank: #625556 in Books
- Published on: 1995-06-22
- Released on: 1995-06-22
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .66" w x 6.00" l, .73 pounds
- Binding: Paperback
- 200 pages
About the Author
JOANNA RUSS has published science-fiction novels, short stories, and criticism for thirty-five years and has been active as a feminist for twenty-five. Her books include The Female Man, The Two of Them, How to Suppress Women’s Writing, and Magic Mommas, Trembling Sisters, Puritans and Perverts: Feminist Essays.
Most helpful customer reviews
13 of 18 people found the following review helpful.
Literary criticism with a side order of laughter.
By A.J. Chodan
First, I have one of the essays in this book to thank for getting me started on Darkover. If only for that, it deserves a few stars.
Beyond that, it's difficult not to enjoy reading an essay that narrowly missed being titled "The Triumph of the Flasher." Russ writes clearly and humorously of the problems that face women connected with the written word -- both as authors and as characters (often in stories written by men).
0 of 0 people found the following review helpful.
Brilliant, intelligent, entertaining, and uncompromising
By Dan'l Danehy-Oakes
The subtitle of this book, "Essays in Feminism and Science Fiction," describes it pretty accurately. All the essays deal with writing in some way; all but a few do so from a specifically feminist point of view.
And Russ was not one of your wishy-washy feminists, but a woman of fierce, clear intellect, fully aware of the nature of our patriarchal (and racist, and classist, and ...) society and what women (and PoCs, and poor folks, and...) face in it. She wrote with wit and style and her essays are a pleasure to read, even when they are painful.
Some of them, in the first part, are specifically about genre science fiction/fantasy/horror. One explains the appeal of H.P. Lovecraft; another, the last in the first part, takes down the film version of "A Boy and His Dog" (while offering some - sparing - praise for Harlan Ellison's original story).
But it is the second part that really shines. "What Can a Heroine Do? or, Why Women Can't Write" is a classic text, which I have seen referenced many times, and which I am glad to finally have read. In this, Russ discusses how the master-plots of "acceptable" (i.e., patriarchal) literature don't work with female protagonists _as defined by patriarchy_, so (and this is the subject of another essay, on the Modern Gothic) female protagonists must be passive, rather than active; and women's literature must be lyrical, rather than narrative.
(I'm botching this terribly; what she says so clearly is very hard to summarize.)
Russ argues, in another essay, that Willa Cather's work makes more sense if you read her male protagonists as coded lesbians; and in yet another, that the "difficulty" of Charlotte Perkins Gilman's "The Yellow Wallpaper" disappears if the critic makes the leap to realize that this is a ghost story (a problem no critic seems to have with "The Turn of the Screw").
In general, I like Russ's essays better than her fiction ... and I like her fiction a lot.
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